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Synopsis, Cast And Review Movie/Film :

Title :Annabelle Comes Home
Release :2019-06-26
Genre :Horror, Thriller, Mystery
Castname :Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, Vera Farmiga, Michael Cimino, Steve Coulter, Samara Lee, Natalia Safran, Emily Brobst
Crewname :James Wan, Walter Hamada, Peter Safran, Kirk M. Morri, Joseph Bishara, Jennifer Spence, Rich Delia, Lisa Son, Leah Butler, Gary Dauberman
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

I went to this movie not expecting much, but it never crossed my mind that I would be watching a film as bad or worse than The Nun. Honestly, going back, I was too easy on the latter since I didn?t exactly give it a massively negative review, which it surely deserves. However, Annabelle Comes Home really tries its best to be even worse. I hate it. I truly do. The horror genre has been exponentially growing, and it?s one of the two most popular genres right now (comic-book movies are the other), but this cheap, bland, cliche, predictable, and forgettable class of horror films is genuinely starting to annoy and frustrate me. The Conjuring Universe became just a set of silly spin-offs with entities that have no interest whatsoever and filled with extremely under-developed characters.

This is the third movie about Annabelle. Three films that address the powers of a freaking doll. Three! Very few people liked the first one, the prequel was admittedly a pleasant surprise, but this one is just atrociously bad. There?s not even a story. The whole movie is based on repeating almost laughable jump scares sequences. Literally, it?s all some sort of variation of the following:

Character walks down the hall -> A strange noise occurs-> Character slowly follows that noise -> Score starts to become louder -> Character checks something and camera closes in on the actor?s face -> Score becomes heavier and louder with the introduction of bass -> Another noise occurs behind the character -> Camera pans with the character and nothing happens -> Character continues to check on something -> Another noise, another pan, nothing again -> Score is reaching its climax -> Character continues doing the same thing -> Final noise, pan, and then one out of the two predictable jump scares happen: BOO! or Fake! ? BOO! -> These are accompanied by a ridiculously loud sound that everyone in the theater is already bracing for because, guess what, everyone knows it?s coming -> Cut -> Repeat.

Except for the first 15-20 minutes, which are used to solely provide backstory to the three main characters, every single scene is an uninspired, unimaginative, anticipated, and tedious build-up to a jump scare that heavily relies on an exaggeratedly loud sound, and someone screaming. There?s no real narrative besides some character backstories which also have their own issues, especially one that involves an attempt at the start of a silly romance. Gary Dauberman tried to insert comedy in order to balance an otherwise monotonous film, but he failed miserably. Every supposedly funny moment is astonishingly cringe-worthy. It was his directorial feature-debut, and it shows.

It just feels like another cheap horror flick, filled with nothing but jump scares. One after the other. Every director in Hollywood could have done this, there?s no distinct style or a trademark shot. Nothing. I do believe that every movie takes a lot of work, and there are tons of people behind a film that genuinely give it their all every time. But Annabelle Comes Home feels so much like a pure cash grab, and I hate writing these words because every movie ever is ultimately an attempt to win money for the studios. However, this sequel never feels like it?s actually serving any purpose for the expansion or improvement of the universe it represents. It?s a horror flick filmed in just one location, something that I usually love because you can do so much with it, but this time it really seems that it was filmed entirely at a house because it was cheaper, hence more probability of profit.

There are two clear areas in the horror genre: the zone with films like Hereditary, Get Out and Us, where the story and its characters are what?s more important and scarier; and the other with movies like The Nun, The Curse of La Llorona or Annabelle Comes Home, where the only goal is to cyclically produce jump scare sequences with no narrative significance or impact. If you enjoy this latter type of films (which is absolutely okay, everything is subjective to personal preferences), then you?ll probably enjoy this movie. At least, people in my theater screamed and laughed pretty hard with no respect for the moviegoers that were trying to watch the actual film. However, if you?re sick of watching the same thing over and over and over and over again, please, for your own sake, skip it.

If it wasn?t for the truly amazing performances, this could very easily be the worst movie of the year (Serenity still holds that spot). McKenna Grace is phenomenal as Judy! Madison Iseman and Katie Sarife are also pretty good at their roles. Patrick Wilson and Vera Farmiga barely have any screentime, but when they do show up, they definitely elevate the scene. Everything related to the production design is quite good, but technicalities will never save a film from misery if the two pillars of any movie (story and characters) are thrown down the sewer. Also, I was shocked when I discovered that this is Rated R. There?s barely any blood or anything that justifies that type of rating. It?s another aspect that makes this film an even bigger disappointment.

In the end, Annabelle Comes Home is as poor or worse than The Nun. I can?t really decide which one I would watch instead of the other because I truly don?t want to watch any of these ever again. A brilliant cast might save this movie from a completely negative review, but it?s still an atrociously cheap addition to the horror genre. Everyone knows why this film doesn?t work: continuously repeating predictable, loud, and hollow jump scare sequences is not a story. I can?t feel invested in any of these scenes if they lack narrative impact or a minimum level of scariness. The fact that I barely even instinctively flinched (something I can?t really avoid) is a sign of how horrible this movie is. My expectations for The Conjuring 3 just dropped tremendously. Good luck, James Wan. You?re going to need it.

Rating: D
I was a little less worried about a third _Annabelle_ movie than I was the second one, because, well this came off the back of that second one, and that second one was okay. But that second one came off the back of the first _Annabelle_ movie… And that was a fucking disaster. Lots of people say that the whole Conjuring franchise is a cool thing, but nothing has come close to the quality of that first _The Conjuring_ movie. Respectfully, I disagree. The franchise as a whole is okay, but not only is has something better come out post-_The Conjuring_, furthermore, I’m gonna go ahead and say that the first _Conjuring_ movie isn’t even really that good. The only entry I’ve given a favourable review (“favourable” here meaning “more than a 5 outta 10”) iissss *dramatic pause* THIS O- no I’m kidding it’s _Conjuring 2. Conjuring 2_ is the good one and everything else ranges from “alright” to “dumpster fire”, and the first _Annabelle_ is firmly at the bottom of that dumpster fire. What’s the next best entry? The crème de la compètènt? It’s… Oh my God I think it actually is this one… You guys is _Annabelle Comes Home_ the closes thing we’ve got to a second good movie? …Fuck… I’m pretty sure it is.

_Final rating:??½ – Had a lot that appealed to me, didn?t quite work as a whole._
Hopefully this brings an end to a dreadful trilogy. Not as terrible as the first one at least but this had nothing to offer and yet another one of these movies where an evil supernatural entity seems more intent on f’ing around with the characters rather than actually harming them. One upside was the acting at least wasn’t terrible and, albeit they were only in it for 10-minutes, I did like seeing Patrick Wilson and Vera Farmiga. **1.75/5**

These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.


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Synopsis, Cast And Review Movie/Film :

Title :The Curse of La Llorona
Release :2019-04-17
Genre :Thriller, Horror, Mystery
Castname :Linda Cardellini, Raymond Cruz, Marisol Ramirez, Patricia Velásquez, Sean Patrick Thomas, Roman Christou, Jaynee-Lynne Kinchen, Tony Amendola, Madeleine McGraw, Sierra Heuermann
Crewname :Michael Chaves, James Wan, Mikki Daughtry, Tobias Iaconis, Joseph Bishara, Peter Gvozdas, Melanie Jones, Megan Spatz, Rich Delia, Michael Clear
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

It?s not as bad as The Nun, let me write this straight away. If there?s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment.

He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of ?character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.? Scenes like these aren?t scary anymore and they feel dated, as well as the typical origin story. There?s nothing new or exciting in an ?urban legend turned true.? Fortunately, the backstory is simple, it isn?t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it?s just another common horror screenplay that the writers took from the scripts cabinet.

Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what?s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn?t help her already not-so-good script.

All in all, The Curse of La Llorona is ? okay. It?s not near as horrible as The Nun, and honestly, that?s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares.

Close, but not close enough ?

Rating: C+
Where I’m from, this was marketed as _The Curse of the Weeping Woman_ ’cause I guess Australia can’t be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can’t be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise.

I love seeing Linda Cardellini get work, but I don’t know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like… Generally speaking. “Bad” might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label “good” though.

_Final rating:?? – Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.

These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.

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Title :Play or Die
Release :2019-05-10
Genre :Horror, Mystery
Castname :Charley Palmer Rothwell, Roxane Mesquida, Laetitia Chambon, Helena Chambon, Marie Zabukovec
Crewname :Jacques Kluger, Amiel Bartana, Jacques Kluger
Director :Director
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Country :Country
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These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.

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Title :The Lighthouse
Release :2019-10-18
Genre :Fantasy, Horror, Mystery, Drama
Castname :Robert Pattinson, Willem Dafoe, Valeriia Karaman
Crewname :Arnon Milchan, Mark Korven, Michael Schaefer, Marc Massicotte, Jay Van Hoy, Robert Eggers, Robert Eggers, Robert Eggers, Rob Cotterill, Craig Lathrop
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These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.

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Title :Black Christmas
Release :2019-12-11
Genre :Horror, Thriller, Mystery
Castname :Imogen Poots, Aleyse Shannon, Brittany O’Grady, Lily Donoghue, Cary Elwes, Caleb Eberhardt, Simon Mead, Ben Black
Crewname :Sophia Takal, April Wolfe, Sophia Takal, Jason Blum, Ben Cosgrove, Adam Hendricks, Greg Gilreath, Zac Locke, Adam Hendricks, Mark Schwartzbard
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These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.


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